If Marilyn Monroe never went to bed without putting on first Chanel Number 5 (the one thing she wore to bed), Scarlett Star expresses the duality between her private and mysterious to most of us Johanssson and the one she decides to undress and paint for us. Thanks to a screenplay by Glenn O'Brien between reality and fiction. The One Lace seems to dress the actress with everything she needs. A fragrance and a hint to the precious lingerie fabric, lace: intimacy and glamour.
An interview turned seduction class, the journalist doesn't count, nor do his questions, only what we learn about the woman, the star, the actress, the one.
If director Jean Baptiste Mondino's renowned use of soft and warm glamorous lights make us feel the celebrity and uniqueness of what we are watching, there is one deep truth that is universally shared: Love.
